Showing posts with label kitchen visit. Show all posts
Showing posts with label kitchen visit. Show all posts

5/4/12

Ghormeh Sabzi

One major perk of having a food blog—and this is probably reason enough to start one—is that people who read your blog sometimes invite you to their house to make awesome food with them. This is one of those stories. About a month ago, when I posted about my love for Persian cuisine—particularly tah dig (crispy rice)—I got an offer from my friend, Tannaz, to teach me how to make it. Needless to say, I accepted.

Tannaz gave me some menu options and an education. Here are some things I learned: For Persian rice, you typically have two options: polo or chelo. Polo has things cooked into it and chelo is plain white rice with saffron that you serve with khoresh (stew). I was about to say whichever one has the crispy rice, but she cut me off at the pass: Don’t freak out, Amelia; they both have the crispy rice layer. (She didn't really say it like that.)

As for the khoresh, there seemed to be a world of options. We could make karafs, which included celery and tons of herbs. We could do fesenjan, which was walnuts and pomegranate. There was gheime, a tomato-based khoresh with split peas and shoestring fried potatoes on top (Keep talking, I’m interested.) But hey, what about aloo esfenaj? That one highlights prunes and spinach and is both sweet and sour. But there was one khoresh option that reigned supreme, ghormeh sabzi, which Tannaz explained as “probably the Iranian national dish.” For ghormeh sabzi, you use tons of fresh herbs, which you fry, before then stewing them for a long, long time with beans and/or meat.
We met up last Sunday afternoon in Tannaz’s sunny Los Feliz kitchen and got straight to the work of making the ghormeh sabzi. The herbs in the khoresh need a long, long time to stew, remember? Speaking of the herbs, a million thanks to Violet, Tannaz’s mom who had already cleaned and chopped all of the herbs, another bonus of cooking in other people’s kitchens, sometimes their Moms help out and chop the herbs ahead of time! And I must point out, this was not a small amount of herbs. In fact, it was more herbs than I had ever used in a single dish. So, while the beef browned in the pot with the onions and turmeric, we moved on to frying herbs, definitely my favorite part of the process. The kitchen started to smell like success, fried-fresh-herb success.
Enter the dried lemons. Although the recipe called for them and Tannaz seemed very comfortable with the recipe, she didn’t seem entirely comfortable with the lemons. In fact, this was the first time they had ever been in her house. Here’s one she smashed up. It smelled like a lemon wearing lemon perfume—or, in other words, very lemony.
Once you get everything in the pot, the ghormeh sabzi just needs time, which works out perfectly because if you’re making ghormeh sabzi, you’re prolly making Persian rice, and that needs its fair share of time too.
I loved making this rice for so many reasons. It’s such a thoughtful process, which Tannaz had started hours before my arrival by washing the rice three times and then leaving it to soak in water. The next step was to parboil the rice, which brings the rice to a point that it’s no longer hard or raw in the middle. After you drain the rice and run it with cold water to stop the cooking is when things start to get really, really cool.

You take the widest bottomed pan you have and add a bit of oil, water, and saffron. Then you add just some of the parboiled rice and mix it up with the oil, water, and saffron combination. I believe this is when Tannaz brought up Jello 1-2-3, and I looked at her blank-faced, but now I get it. Chelo is totally like Jello 1-2-3. See, the bottom layer of rice that’s mixing with the oil and saffron is set to be the tah-dig; then there is the middle, which is less crispy but nice and saffrony; and then the top is white and fluffy / the perfect base for khoresh! Chelo 1-2-3! I get it!
As you’re adding the layers of rice to the pot, you’re also being careful to do so in the shape of a mountain. Since you’re basically steaming the rice, if the middle and top layers of the rice touch the sides of the pan, those pieces get too dry. Speaking of steaming, once you’ve got your rice in a nice mountain shape, that’s when you take the bottom of a cooking utensil and poke five holes into the rice mountain. (By the way, for a full explanation and recipe, check out Tannaz’s amazing post on Persian rice.) Next, you cover the pot, turn the burner on to medium-high and wait for a sizzling and sputtering sound. Once you hear it, you lower the heat and cook for 1 hour. (As if it’s that simple. It’s not! Tannaz checked on the rice periodically, adding a bit more oil and water when she thought it looked too dry.)
Other things that happened while the rice cooked? We ate delicious walnuts Tannaz had soaked in cold water (Who knew water-soaked walnuts could taste so good?) We ate delicious slices of Persian cucumber with lime and salt. And we tried to make faloodeh, rose water ice with noodles, though ended up giving up on it when the ice-cream machine refused to cooperate.

In case the photos haven’t proved it yet, this meal was delicious. The ghormeh sabzi was citrusy, meaty, herby, and subtly sour all at once—a flavor profile I don’t really run into in my everyday life. And of course there was the rice, the beautiful, beautiful rice.
In short: thanks so much for sharing your kitchen with me, Tannaz!

And while we’re on the topic of gratitude, thanks to everyone who voted for Bon Appetempt. Believe it or not, we won a Saveur Food Blog Award for the second year in a row! I for one can’t really believe it. So, thank you, thank you, thank you.
Ghormeh Sabzi via Tannaz's adaption of the recipe from New Food of Life: Ancient Persian and Modern Iranian Cooking and Ceremonies
("Fresh Herb Khoresh" as the book calls it.)

(Herb portions can be hazy--the more the merrier!)
1 bunch Persian chives (can substitute, or subsidize with 1 bunch scallions, green part only)
3 bunches flat-leaf parsley
1/2 bunch fenugreek
1/2 C spinach (optional)

3 Tbs olive or other vegetable oil
1 1/2 lb beef shank, cut into 2x2 inch cubes, against the grain
1 Small onion, finely diced
1 tsp ground turmeric

4-6 Dried lemons ('limoo Omani')
1/4 C fresh lime or lemon juice

1/2 can kidney beans, drained.
Remove any thick stems from herbs, and, in a food processor, finely chop them. 

In a large pot or Dutch oven, sauté 1 tablespoon oil, turmeric, meat, and onions over med-high heat for about 10 minutes, stirring occasionally, until meat is browned.  Season with salt and pepper (Note: we used kosher meat, which is salted before you buy it.  This is why we didn't salt during this step. Non-kosher meat, you'd want to salt, though, you'll have plenty of opportunity to adjust).  Add dried lemons and enough water to cover the mixture by one inch to the pot. Bring to a boil, then cover and simmer while you fry the herbs.

Meanwhile, in a large sauté pan, fry herbs with remaining oil over medium heat, stirring occasionally, until the aroma of frying herbs rises, about 20 minutes.

Add herbs and lime juice to pot and stir to combine.  Increase heat to return to a boil, then reduce heat and simmer, covered, for at least another 2 hours.

In the last 10 minutes or so of cooking, stir in kidney beans and adjust seasoning.

Serve over steamed basmati rice.

4/5/11

Serious Food: In the Kitchen with Grandma




My Kitchen Visit with my grandma this winter lasted four days and produced hundreds of cookies. It also produced the belowsomething a bit different from (and longer than) my standard weekly post.  Hope you enjoy!
My mom has become a sort of in-house mediator between me and my grandma. While on vacation with my family at a beach house in North Carolina a few years ago, it was my mom who I approached as to why the entire house suddenly smelled of skunk. And in a tone that communicated nothing could be more normal, she explained: “It’s just the gizzards Grandma brought for Jinxy.” Allow me to translate. Gizzards was Grandma’s catch-all word for the not-as-commonly-eaten parts of the chicken, which she had brought from her home in Pittsburgh, so as to not pay top dollar for gizzards at the overpriced beach grocery store, and Jinxy was Grandma’s obese 115-pound dog to whom she fed home-cooked human food three times a day. I knew he liked spaghetti and meatballs, bagels and cream cheese, and chicken noodle soup, but hadn’t realized he had also developed a taste for gizzard.

We needed a mediator. Because if Grandma is the 92-year-old Great-Depression-era hoarder of the family to a fault, I am her 29-year-old control-freak, clean-as-you-go, clutter-phobe polar opposite to a major fault. While Grandma can say things like: “I think Jinx and I may have a rat in the basement,” without emotion or fear, I am the one who, after hearing about a cockroach found in the dishwasher at work, could no longer use a single glass, plate, or fork from that kitchen. Filtered water there was deemed untouchable as well. I take pride in hoarding nothing. I sold my wedding dress a month after my wedding.

And so, this past winter, high on holiday goodwill, it was over the phone to my mom that I pitched the idea of making Grandma’s famous pizzelle cookies with Grandma and in Grandma’s kitchen. A few days later, Mom came back to me with Grandma’s verdict. It was on.

Day One
It isn’t until I have made the flight from Los Angeles to Pittsburgh, and Mom and I are in the car on our way to Grandma’s house when Mom informs me that Grandma wants to tackle both pizzelles and lady locks, the latter of which I am certain I had politely declined any interest in attempting with her on this trip. Lady locks are mini croissants stuffed with cream, but unlike traditional croissants infused with layers of butter, Grandma uses butter-flavored Crisco. Not exactly the stuff dreams are made of. I feel a bit duped. But we are already parked in Grandma’s driveway. It’s too late to turn back now.

Or is it? I pull open the front door of Grandma’s four-bedroom, two-story house where she’s lived since 1959, and after Grandpa died in 2001, where she’s lived with only her pet dog for company, and I instantly feel like I’ve made a mistake. The house is a hoarder’s paradise and the kitchen, its Mecca. The countertops are packed well beyond capacity with 92-years worth of products, ingredients and open-air leftovers. A bulky, far-too-large-for-this-small-of-a-kitchen island takes over where might have existed any breathing room and partially blocks access to the sink, oven, and refrigerator all at the same time. (My aunt sent her the island as a gift years ago with the intention of giving Grandma more counter space, but Grandma has chosen to use it instead as an additional surface for stockpiling.)

There is an extremely large pot on the back left burner with a head of cold, cooked cauliflower in it, and on the right burner, sits a pair of blackened bananas oddly packaged on a Styrofoam tray and covered in plastic wrap. On the front two burners rests an opened, ragged photo album filled with recipes she has handwritten on index cards or clipped from Ladies’ Home Journal, and in the center of the stovetop, on no burners, lives an oil-filled cast iron pan. A stepladder resides to the left of the island and even its surface area is being used as a resting place for something. In this case, it’s my nemesis, the jumbo size can of Crisco. The walls are yellowed and cracked. A brown rotary phone hangs crookedly on the wall. Talk radio blares from a non-digital radio. Cobwebs dangle from the corners of the cabinets, and if you stare up at the ceiling for longer than a moment, it’s difficult not to wonder how it hasn’t caved in already. It’s difficult not to think about life in terms of the accrual and maintenance of things. But mostly it’s difficult not to think: This house is on its last legs. This house is dying.

Despite all of this, it’s clear that Grandma has worked out a system. She puts away a few items from the island and reveals a white cutting board—a workspace! She finds a mixing bowl and places it on the board. She pulls a chipped coffee mug from the cupboard and bends down to scoop flour from a 25-pound bag on the floor. I wonder how she got the bag inside and marvel at the fact that it’s almost empty. She adds two heaping mugs of flour to the bowl with ease. She doesn’t seem worried about being exact, but then neither does the recipe, which specifies a coffee mug as the measuring device.

The recipe isn’t hers but that of an old friend who she used to make them with and who has since died. In fact, there used to be three of them. They got together every December to spend the day making cookies. “What about the other woman, Grandma?” I ask.

Grandma points to her head and swirls her hand around. “She’s senile,” Mom clarifies from the dining room. Grandma adds water to the flour and then sprinkles it with salt. She stirs the mixture until it comes together into one large dough ball, which she divides into three equal plastic-wrapped pieces and places in the refrigerator.

“That’s it?” I ask. “Just flour, water, and salt?” Grandma nods.

While the dough sets, we are going to press some chocolate pizzelles in Grandma’s ancient pizzelle press. Grandma made the dough earlier in the day and has already set up a pizzelle-making station in the dining room. I feel like I’m on the set of some strange, hoarders version of The Today Show. Everything we need, albeit ramshackle and stained, is ready and waiting, and we can shoot the segment in under a minute! But of course, it takes much longer. Grandma has quadrupled the recipe and by the time I have pressed all of the dough, I have five towers of stacked cookies; it’s late and I’m tired. But Grandma summons me into the kitchen. I look for my mom to translate that I’m ready to go home but she is in the living room watching some city’s C.S.I. I can hear the opening credits.


In the kitchen, Grandma instructs me to roll the dough out into a quarter-inch thick rectangle. Once I have it, she hands me a plastic spatula readied with butter-flavored Crisco and tells me to spread it across the entire surface of the dough. And even though, I’ve prepared myself for this moment, I can’t seem to stop myself from asking, “Why Crisco?”

She gives it a moment before answering. “I suspect it’s what she had.” She being her now dead friend whose recipe it is.

Once it’s completely covered, we fold it into an envelope, wrap it in plastic and place it back in the refrigerator. We do this with the two other dough segments, and this is what we will continue to do until the entire can of Crisco (minus the cup reserved for the filling) is incorporated into the dough. Though for tonight, we are done. We’ll finish this step tomorrow.

Day Two
Save for some breakfast dishes in the sink, everything in Grandma’s kitchen is as Mom and I left it last night. The measuring cup of Crisco reserved for the lady locks filling sits on the ledge of the counter in front of the microwave, the can of Crisco is lid-less on top of the stepladder, the pot of cauliflower is on the back left burner, the bananas still on the right, and so on. Grandma is busy with the dog. So, working from her handwritten recipe, Mom and I begin to make the pizzelle dough. (Yesterday we made chocolate, but per Grandma’s instructions, we must now make a batch of vanilla.)

Mom begins the process of cracking the twelve eggs while I busy myself with noticing every weird thing in Grandma’s kitchen. Items that particularly concern me are a crinkled, rolled-up Wendy’s bag with something still in it lying on the countertop and a bulging plastic bag hanging from a drawer knob. I had taken a peek into a similarly placed bag one of the last times I was in Grandma’s kitchen, about six years ago, and found a mess of black, sludgy rotten potatoes. Mom sees me eyeing it and boldly grabs the side of the bag and squeezes. “Stale bread,” she concludes. I nod with my lower lip turned down and inside out, as if I was expecting that, as if I have the same kind of system worked out back in Los Angeles.

Day Three
When Mom and I arrive at Grandma’s the following afternoon, we find her in full lady-locks swing. We’ve brought her a couple of leftover slices of pizza from lunch, but she’s so busy that she takes a slice and just keeps going. (The detail that she places the box with the remaining slice atop the oversized pot of boiled cauliflower, which I now feel well acquainted with—after all, it’s right next to my friends, the plastic-wrapped black bananas—is not lost on me.) She takes a bite, scoots past the kitchen island, pulls open the refrigerator door with the non-pizza hand and announces that she has been adding Crisco to the lady-locks dough with regularity since 7 a.m. and that it now only needs one final dousing. She pulls out the chilled dough and hands it to me. It seems to have almost doubled in size.

“Wow, that’s a lot of Crisco!” I say.
And if Grandma, like her granddaughter, approached life as a journey toward reaching the next opportunity to insert a joke, she would have replied: “Speaking of Crisco, it’s time to make the filling!”

But Grandma doesn’t say anything. Instead, she takes another bite of her drooping pizza slice and with her free hand, begins shedding the dough of its plastic wrap. Because, Grandma, and here is where I’m suddenly struck with the real lesson in all of this: Grandma doesn’t think that Crisco is funny. Not only that, but you know what? Grandma doesn’t think that food in general is funny. Because historically, it hasn’t been.

I’m reminded of M.F.K. Fisher’s How to Cook a Wolf, which was written in 1942 with the intention of rallying and encouraging those facing the worst of wartime shortages. Specifically, I thought of the chapter titled, “How to Keep Alive,” where Fisher walks the reader through what to do if you have absolutely no money. “…borrow some. Fifty cents will be enough and can last you from three days to a week, depending.” She goes on to describe a dish that sounds like a large, flavorless pot of oatmeal with pureed vegetables mixed in and, if you are seriously lucky, some hamburger meat. “It is obvious to even the most optimistic that this sludge, which should be like stiff cold mush, and a rather unpleasant murky-brown gray in color, is strictly for hunger.”

Grandma and food stories run wild with infamy in my family, but the most infamous of all takes place during The Great Depression when Grandma was just a kid and came home to find that her pet bunny was now residing at the neighbors. I’ve heard the story at least a dozen times in the course of growing up, but after reading this passage for the first time, I get the urge to call Grandma and hear it again.

“Oh! I had a beautiful, big, white bunny!” she says, before telling the story in three short sentences. She came home and the bunny wasn’t there. Her mother told her that they couldn’t afford the feed and that he was now at the neighbors’ house. When Grandma later saw her neighbor, Mr. Sullivan, she asked him how her bunny was and he said that he ate him. After prying, she admits that she cried for a week.

Grandma’s identity is wrapped up in food. She’s worked in the kitchen of the Presbyterian Church less than a mile from her house for 51 years. At 92, she helms the Monday Noon luncheon three times a year, which is service for 70. She’s been making these cookies for over 40 years. She always has something on the stove, always.

While watching Grandma eat that pizza slice and multitask in the kitchen, I begin to take these cookies seriously. Because it’s not just making cookies, I realize. I am taking part in a tradition that defines part of who my grandma is and, by proxy, who I am.

We finish the dough and put it back in the refrigerator to chill. And while we wait for it to set one last time, I sit down at the dining room table with one of Grandma’s recipe-laden, falling-apart photo albums. Grandma asks my mom to open a jar of marinated mushrooms she can’t seem to budge the lid of. I momentarily wonder why, but understand when she presents them to me in a bowl as a snack. Something in me melts—at 92, Grandma is still the consummate hostess. I continue flipping through the pages of yellowed recipe after yellowed recipe, some of which—wild cherry liquor and spinach soufflé—look particularly similar to ones I’ve recently dog-eared in cookbooks. She even has something called a 10-day Herman cake, which, as its title implies, takes ten days to make and strikes me as eerily suited for a bon appetempt.

*

For the first time in my adult life, I suddenly see Grandma’s dilapidated dining room as one that would fit eight people for dinner nicely. Grandma’s armoire, stuffed with crystal glasses, serving pieces, and bone china plates, takes on new meaning. I picture what a dinner party at Grandma’s might have looked like in 1966. She has these beautiful blue glass goblets and tiny little crystal cups too small for cordial glasses. I ask her what they are for. “Individual salt holders,” she says.

For the first time in my adult life, I suddenly see past Grandma’s age to the person who used to invite friends over for dinner, carefully plan the menu for a week, and task Grandpa with setting the table. I suddenly see the person whose fingers and feet aren’t arthritic and swollen so that she can wear her emerald-cut diamond wedding ring and dress in heels, and who doesn’t feel like an “old bag of bones” so that she might paint her lips red like I’ve seen in old photos, and emerge from the kitchen with plates of appetizers in each hand asking, “Who’s hungry?”

Day Four
Mom and I arrive at Grandma’s in the afternoon to find the hollow, baked lady locks shells on the dining room table on the cooling racks just as we’d left them 24 hours ago. I check in on my cauliflower and black bananas. They’re still there too.

In my lifetime, food has been entertainment. It’s been funny. It’s been something to eat, and, most of the time, it’s been delicious. It has never been a life or death issue. I can’t even say that it’s been serious. But as we stuff the lady locks with a creamy mixture of sugar, Crisco, cornstarch, milk, and red dye, it feels serious. It feels important. It feels like a tradition is being handed to me, and like Grandpa used to say, I’ll be damned if I am going to drop it.


Lady Locks as handwritten for me by Grandma. [I’ve edited as little as possible.]
for dough
Using a large coffee mug, measure 3 cups flour.
1 teaspoon salt
1 ½ cups water
Mix above ingredients in bowl. Dough should be sticky. Refrigerate ½ hour. (I put in freezer compartment.)
1 – 3 lb. can Crisco less 1 cup reserved for the filling. I use butter-colored Crisco.

Place dough on floured board. Divide into 3 pieces. Flour board. Roll one piece at a time into ¼ inch thick rectangles. Using a spatula, spread Crisco thickly on rolled dough. With your hand, sprinkle flour on top of Crisco. Fold piece: bottom up, top down, sides in. Cover with plastic wrap. Place the envelope of dough into the refrigerator for an hour. Repeat with other two pieces of dough. Place them into refrigerator for an hour.

Repeat this procedure until Crisco is used. I leave the dough in the refrigerator overnight and start next step in the morning.

You have taken 48 clothespins and covered with aluminum foil.

Take first envelope of dough and divide into 3 sections. Mix a cup of flour with a cup of sugar and use this to roll out your dough. You want it shaped like a rectangle. You want to cut into pieces 4 inches long by 2 inches wide. Wrap this piece around clothespin and place on cookie sheet.

Heat oven to 400. You want a cookie sheet with sides. If you haven’t added enough flour, the Crisco will run out and you don’t want it in your oven. Since ovens vary, I check at 5 minutes, 10 minutes, 15 minutes. The dough will puff and when it is golden, it is done. Remove from oven and place on cooling rack while simultaneously removing clothespin. [This is tricky as they are hot!]

for filling
1 cup of Crisco
In saucepan: 1 cup of milk & 2 tablespoons cornstarch. Heat on stove, stirring to keep from burning. When thick, remove from stove and allow to cool.

In mixing bowl, add cup of Crisco, cup of sugar and 1 teaspoon vanilla. Beat until sugar is dissolve, then add cooled cornstarch mixture. This mixture needs to be beaten a very long time, until it’s light and fluffy and you can’t feel a sugar grain. I put a drop of red or green coloring. I think they are more attractive than just white.

[After shells have cooled completely, pipe filling into the hollow centers. Do this until they are all filled. Sprinkle with powdered sugar. Enjoy your lady lock!]

1/30/11

Kitchen Visit: Vegetable Dumplings

Visiting my friend Jeana's kitchen this past Sunday was one of those days that seemed almost too perfect for real life. There was the beautiful, 80 degree weather in January; there was my first-ever trip to HK market in Koreatown; there was the sweet potato latte at Holly's Coffee; there was the fact that I had the day off; there was Jeana's beautiful, sun-filled kitchen; and, of course, there was Jeanaa stand-alone wealth of inspiration.

I know I've mentioned Jeana's art and blog in previous posts, but have you seen her videos? I love them. The whole time we were making these dumplings, I was thinking of the one titled Summer Day and that montage of shoes and sweets from Sofia Coppola's Marie Antoinette.

Here is the Bon Appetempt version:

Kitchen Visit: Vegetable Dumplings from amelia morris on Vimeo.


Another kitchen visit success!


Vegetable Dumplings

Ingredients
for dumplings:
1 bunch Asian chives (buchu), finely chopped
1 onion finely minced (We used a food processor.)
4 small carrots finely minced (Again with the food processor.)
1 10 oz. package of soft tofu, patted dry and mashed with a fork
6 oz. mushrooms, finely minced (Again, we employed the food processor. It was fun. See video.)
Korean glass noodles (japchae), about as much as you can hold in one hand (dry).
salt & pepper
2 packages of gyoza wrappers
vegetable oil

for dipping sauce:
2 tablespoons soy sauce
1 teaspoon white vinegar
1 tablespoon minced green onions
1 teaspoon Korean red pepper flakes or 1/4 teaspoon (or to taste) cayenne


Boil water for noodles. Mix first five ingredients in a bowl. Cook noodles for about 5-6 minutes or according to package instructions. Rinse with cold water to stop cooking, and then, while still in colander, cut into small pieces with scissors. Add minced noodles to bowl with other ingredients. Season to taste with salt and pepper.

Prepare an area for dumpling making. Grab a gyoza wrapper from the package. Spoon a healthy spoonful of the filling into the center of the dumpling. Dip your finger into a ramekin of water and wet the outer edge of half the wrapper. Fold dumpling up like a taco and then pinch the edges together, making sure to stuff back in any wayward filling and to seal edges completely. Set raw dumpling on a lightly floured surface, and repeat until the filling is gone.

Make dipping sauce by mixing all four ingredients together and set aside.

Lightly film a frying pan with vegetable oil and let it get nice and hot. Add some raw dumplings to pan and fry for a couple of minutes on each side, or until browned. Feel free to add a bit more oil or water if they are sticking and cover with a lid to ensure the dough is fully cooked through.

Serve with dipping sauce (and in our case, kimchi fried rice) and enjoy!

1/2/11

Kitchen Visit: Potato Pierogi N'at

It's 2011 and with the new year comes a new feature for Bon Appetempt! Introducing: The Kitchen Visit.

Inspired by my friend, artist Jeana Sohn, and her lovely blog’s weekly Closet Visit, I began thinking about doing something similar every so often for those of us curious about the cooking, pantry items, and general goings-on of other people’s kitchens, and by other people, I mean people like you—home cooks, non-chefs, attempting recipes at home.

And well, I couldn’t be more excited about the first installment: A visit to the kitchen of my friends, Angeline Shaka (on the left) and Gabrielle Calvocoressi (on the right), and a potato pierogi attempt, all in one.
At first, Gaby referred to this idea as an "Attempt, Polish-style" as her vision included kielbasa and sauerkraut, but somewhere along the way, Poland quickly became overshadowed by Pittsburgh—the city where Matt and I grew up and whose professional baseball team stages live action pierogi races between innings, and while we’re at it, a city that lives for football and one that Gaby may as well have been referring to in her poem “Every Person in this Town Loves Football” from her most recent book of poetry, Apocalyptic Swing Poems. (Oh, did I mention Gaby is an amazing, award-winning poet?)
Growing up, my mom was always requesting my presence in the kitchen while she cooked. "Just sit with me," she would say, and as a kid, I understood this desire on a basic humans-like-company kind of level, but making these pierogi with Gaby, Angeline, and Heather, I was reminded of not just the simple pleasure of other people’s company, but also the team mentality and camaraderie in working toward a shared goal. Each of us couldn't wait to eat these Polish-by-way-of-Pittsburgh dumplings and so each of us wanted pierogi perfection.
And so, when we turned out the dough onto the table and it pooled into a soupy mess, it was utterly priceless not to be alone in the confusion and instead have three women decisively conclude that we needed much more flour even though we had already added more than the recipe called for. [NOTE: Step 1 of this Martha recipe calls for three cups of flour for the dough before kneading one to two more cups into it, however, this has to be wrong because the same recipe, published elsewhere, calls for five cups to be added before kneading, and unless you like a really, really liquidy, un-kneadable dough (see below), you need five cups.]
Pierogi were your idea! When attempting something that, let’s face it, is much more commonly purchased pre-made and/or frozen, I’m usually inspired or motivated by something fairly specific/irrational. What inspired you to take on the pierogi?
Gaby: Like Martha Stewart I often say my favorite kind of food is Japanese, but really it’s dumplings. I’ve loved potatoes forever. When I was five for Christmas I asked for potatoes so I could learn to cook them lots of different ways. So you can imagine what a dumpling filled with potatoes does to my heart. I also grew up in a place where there was a big Polish population so kielbasa and pierogi were a pretty ordinary part of my life. Kielbasa was a dinner I’d cook for my father when he came home from work so when I went on this one food blog and saw a recipe for pierogi, I got super excited. The only problem was that this recipe called for using gyoza wrappers and that goes against my idea of adventure; so I started looking for a more authentic pierogi recipe. At the same time I asked Heather if she wanted to come over for pierogi and she said, “That would be an amazing attempt.” And my heart skipped a beat; we’re huge fans of bon appetempt and were really excited to be a part of it.

Angeline: This event really was Gaby’s dream from the start.

Was there any part of the process that surprised you?
A: I was expecting the dough to be the hardest part and it was, but then once we figured out the first recipe was crazy and took Big Martha’s advice* to let our instincts guide us, it was so much easier than I thought it would be. Most of the dough I’ve made lately has been the kind where if you work it too much it gets tough and loses its deliciousness. I was relieved that this kind of dough was much less fussy than all that AND that you don’t need to have 70 years of experience (ahem, “little” Martha) to successfully make a pierogi.

*For extra guidance, pre-attempt we watched this video of Martha Stewart and her mother, Big Martha, make pierogi. I highly recommend watching for many reasons.

G: I was in awe of Amelia and Angeline. Also of Heather Taylor’s Black Swan rendition. I would also recommend listening to Rihanna’s “What’s My Name” when you’re making pierogi.
Would you do anything differently next time?
A: I might have a few more options for fillings…like maybe sautéed mushrooms or even put some of the caramelized onions inside the dumpling. Other than that I just think it’s essential to eat them (and preferably always make them) with fantastic people you can laugh with.

G: Absolutely. I think it would be a lot less fun to make them alone. It’s definitely a party.

A: Yeah, that’s because they do take time and are somewhat labor intensive.
The food was delicious and the people uber cozy. Would you two say you have a philosophy when it comes to entertaining?
A: Well, yes. We like to create cozy when we entertain. We always have. Gaby’s sense of adventure and the way she infects all of us around her with that sense of adventure are essential; and then I bring to it an ability to execute the adventure that she is imagining—let me clarify that Gaby is an incredible cook, I don’t mean to imply she isn’t. And like I said earlier, you can’t go wrong if the friends you’re entertaining are all amazing and I’ve gotta admit that I think all of our friends are the MOST remarkable human beings I’ve ever met.

G: I completely agree with Angeline. My motto for every part of my life is “What’s going to happen?” Meaning I’m always up for the possibility of tremendous success and also the possibility of complete failure. Which is important because cooking, like friendship, is about love and passion and the possibility that everything can go wrong and doing it anyway. It’s a tight rope, but the best kind of tight rope. I think a pretty good bar of friendship is, would you want to make a meal with someone and then eat it with them? That night was so special because everyone in the room was excited to be there, willing to take a risk, and they also bring that same kind of intensity and joy into their everyday lives.
Not that it’s a competition, but do you think we had more fun making pierogi than Martha Stewart and her mom did during that video?
A: Waaaaay more fun. Just sayin’.
G: Yeah, clearly.
Did you know that at Pittsburgh Pirates games it’s customary to have a live action pierogi race that is officially titled “The Great Pierogi Race N’at" and that “N’at” is Pittsburghese for “and that”?
A: I did not know this information. I’ve never actually been to Pittsburgh and aside from Friday Night Lights have zero interest in football.
G: I’m the pierogi on the left.
A: oops, Gaby tells me the Pirates are baseball. Well then…
G: mhm.
All photos (excepting the one of Heather laughing while potato ricing) were taken by Heather Taylor.

Thanks for letting me visit, Gaby and Angeline! And by the way, the latest issue of Saveur has a recipe for homemade kielbasa. Thoughts?


Recipe via Hartford Courant
BASIC PIEROGI Makes about 5 dozen (or 2 dozen plum)
For The Dough
1 large egg, lightly whisked
2 tablespoons sour cream
1 cup whole milk
1 cup water
5 cups all-purpose flour, plus more for surface and dusting
Yellow cornmeal, for dusting

1. Make the dough: Whisk together egg and sour cream. Whisk in milk and water. Stir in flour, 1 cup at a time.
2. Turn out dough onto a floured surface. (Dough will be loose and sticky.) Using a bench scraper, turn and fold dough to knead, dusting with flour as needed, until elastic and no longer sticky, 8 to 10 minutes. (Dough will come together as you knead it. Be careful not to add too much flour, since it will toughen the dough.) Cover with an inverted bowl; let rest for 1 hour.
3. Divide dough into 4 equal pieces. Line a rimmed baking sheet with a clean linen towel, and dust generously with cornmeal to prevent sticking.
4. Roll out 1 piece of dough on a lightly floured surface into a 1/8-inch-thick round (keep other pieces covered).
5. Cut out circles very close together, using a 3-inch cutter or glass (5 inches for the plum version). Cover with plastic wrap to prevent dough from drying. Repeat with remaining dough.
6. Fill pierogi: Place filling (recipe below) in center of each dough circle. Bring a large pot of salted water to a boil.
7. Holding 1 circle in your hand, fold dough over filling. Pinch edges, forming a well-sealed crescent.
8. Transfer to cornmeal-dusted towel, and loosely cover with plastic wrap. Repeat with remaining dough circles and filling. Working in batches, transfer pierogi to boiling water. They will sink to the bottom and then rise. Once they have risen, cook through, about 2 minutes more. Coat a platter with half the butter. Transfer pierogi to platter using a slotted spoon. Drizzle tops with remaining butter, and season with salt.

POTATO FILLING
Place 5 pounds (about 12 medium) peeled and quartered Yukon Gold potatoes in a large pot, and cover with cold water. Season with coarse salt. Bring to a boil; cook until fork-tender, 8 to 9 minutes. Drain; pass through a ricer. Stir in 8 ounces room-temperature cream cheese and 4 tablespoons melted unsalted butter. Season with salt and freshly ground pepper. For each pierogi, form filling into a 1 1/2-inch oval (about 1 tablespoon plus 2 teaspoons).

BROWN BUTTER
Makes 1 cup
Melt 2 sticks unsalted butter in a small saucepan over medium heat, swirling occasionally, until dark golden brown, 8 to 10 minutes.